Inside My Bag
"I believe gear shouldn't get in the way of creativity, but having the right tools allows me to execute my vision without compromise."
* Note: Some links below are affiliate links. If you purchase through them, I may earn a small commission at no extra cost to you.
Lightweight Alpine Kit
When the trail turns vertical, every gram is a commitment. This setup is the result of years of fine-tuning for high-altitude endurance without compromising on the staggering detail of full-frame files.
Nikon Z8
My primary workhorse. A 45MP powerhouse that handles high-speed wildlife and grand landscapes with equal poise.
Nikon Z 14-30mm f/4 S
The landscape photographer's dream: ultra-wide, filter-ready, and remarkably sharp from edge to edge.
Nikon Z 24-120mm f/4 S
The quintessential travel lens. If I could only take one, this would be it. Versatile, sharp, and weather-sealed.
Tamron 50-400mm f/4.5-6.3
An incredible range for mountain photography, allowing me to isolate distant peaks without the weight of a traditional 400mm.
Leofoto LS-284CEX
Carbon fiber stability with a built-in leveling base—essential for quick setups on uneven alpine terrain.
The Wildlife Arsenal
Speed, reach, and silence. This kit is built to capture the split-second moments of animal behavior, from the dense forests of Costa Rica to the windswept ridges of the Alps.
Nikon Z8
The silent electronic shutter and 20fps raw shooting make it an unbeatable tool for sensitive wildlife encounters.
Nikon Z 180-600mm f/5.6-6.3 VR
My most used wildlife lens. The internal zoom makes it balanced and easy to handle when tracking fast-moving subjects.
Nikon Z 800mm f/6.3 VR S
Maximum isolation and reach. A phase-fresnel masterpiece that brings the distant world into breathtaking intimacy.
Luxurious Medium Format
For when slowing down is mandatory. The GFX system provides a level of tonality, dynamic range, and resolution that is simply unparalleled in the digital world.
Fujifilm GFX 100S
102 Megapixels of pure medium format magic. It captures depth and texture that feels more like film than digital.
Fujifilm GFX 50R
The rangefinder-style soul of the GFX family. A tactile, slower experience that I often use for personal documentary work.
Fujifilm GF 20-35mm f/4 R WR
The gold standard for wide-angle medium format. Incredibly sharp even on the 100MP sensor.
Fujifilm GF 50mm f/3.5 R LM WR
A pancake lens for medium format? Yes. It's tiny, fast-focusing, and turns the GFX into a street-capable beast.
Fujifilm GF 100-200mm f/5.6 R LM OIS WR
Telephoto compression for landscapes.
Creative Tools
Gear that challenges me to think differently and explore the night sky.
Laowa 10mm f/2.8 Zero-D
Ultra-wide rectilinear perspective with autofocus.
TTArtisan 250mm f/5.6 Reflex
A mirror lens with a soul. It creates iconic 'donut' bokeh and a vintage feel that is impossible to replicate with modern glass.
Laowa 20mm f/4 Zero-D Shift
Architecture and landscape shift lens for perspective control.
